![]() This will take the balanced line-level signal from your audio interface, and convert it to an unbalanced instrument-level signal suitable for all the guitar gubbins you want to use.Īn audio interface with a dedicated Hi-Z input, and a re-amp output not one of the monitor outputs) to route the recorded dry signal to. You'll need this to turn the high-impedance dry guitar signal into a low-impedance, balanced, mic-level signal and record it directly to your DAW. There are a few things you may, or may not need, depending on how you end up re-amping your tracks. Similarly, if all your music is recorded 'in the box' re-amping gives you the opportunity to add a breath of fresh air and real-world sound to your music. Plus, of course, re-amping means you can focus on playing the guitar while you're recording, and spend time being creative with your tone later on. If you envision your music having a long shelf life, keeping a dry signal version of the guitar parts will mean the song can be remixed with different (or more modern) effects when the spirit moves you.Īs I've already mentioned, it's increasingly common to process other instruments using amplifiers and guitar effects. Re-amping can help address these issues where simply EQ-ing the tracks can't. When you're mixing a track, it can sometimes be hard to make the guitar tracks play nice with the rest of the mix. What if there's a problem with the miking technique the audio engineer used? Or maybe you're not 100% sure of the tone you want for the song.īy giving yourself the option to re-amp later you can fix any issues with the sound, or experiment to your heart's content. If you simply record the signal from an amplifier using a microphone you're stuck with that sound forever. Similarly, if you have lofty ideals regarding your fantasy guitar rig, it's way cheaper to pay a re-amping specialist to get that dream tone than it is to buy or rent the rig. If you're pushed for time in a rented space, re-amping will give you options after you've left the studio. And voila! You can re-amp the guitar track using your 18-foot Marshall stack at a more sociable time. So, you plug in your headphones and use an amp sim plug-in to lay down the track. No matter how good you are, your neighbors won't appreciate blaring amps in the middle of the night. Imagine you're struck with inspiration at 3:37 am, and you just have to lay down that killer guitar line. Here are some common reasons why you may need, or want, to re-amp a guitarist: Using the re-amping technique is like having a huge 'undo' button on your guitar sound, enabling you to fool around with amp and pedal settings to get the perfect tone long after the performance has been captured. ![]() Put two or more of them in a room, and you'll hear them having lengthy discussions about how to get exactly the right tone for a particular song. Vocals, drums, keyboards, and even virtual instruments, can all be creatively processed with the re-amping technique. Re-amping is also increasingly used on instruments other than the guitar. Way back in the 1930s, folks were taking sounds that had already been recorded, playing them back in different spaces, and capturing the end result.īut re-amping became a big thing with the advent of electric guitars, and this is how it's commonly used today. The idea of re-recording sound isn't a new one. ![]() The best part? Since the guitarist has already laid down his or her performance, they don't even need to be in the room when you start fiddling with knobs. You can experiment with different amps and sounds from effects pedals, as well as fine-tune the settings on parameters such as distortion and reverb to better suit the production. Using this method, you can completely change the tone of a guitar part from when it was originally tracked. In a nutshell, re-amping is the process of taking a previously recorded dry guitar signal, feeding it through an amp and/or effects chain, and re-recording the end result. Read on, and all will be answered in less than the time it takes to play the whole of 'Stairway To Heaven'. It's a common phrase you'll hear bandied about recording studios, and among groups of audio engineers when they're comparing techniques.īut what exactly is it and perhaps more importantly, how do you use this creative production tool effectively? ![]()
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